Children's Fashion

Fashion reflects changes in any given society, and can be usefully used as a socio-economic barometer, especially as in times of hardship fashion and beauty are often the first to be affected. The study of the history of children’s fashions sheds light on areas not covered by adult fashion. These include theories of childcare, the philosophy of education and the position of children within society. The fashion for girls in the 1960s were a stark contrast to the national emblems used to decorate the printed rayon dresses and homemade knitwear of the 1950s, inspired by the marriage of Princess Elizabeth in 1947 and her coronation in 1953, which led to a tide of patriotism. The influence of American teenage styles, initially apparent in the late 1950s, continued to provide a model to which British girls aspired. By the early 1960s, goods as diverse as nylons and woollen garments, traditionally aimed at the adult market, were being directed at the youth market with advertisements showing teenage entertainments such as record parties. Also, the youth explosion within music and film provided radical new role models. Although there had been teenage singers and fashion models in the previous decade, they had always adopted an adult style of fashion.
An important role model was Twiggy, the seventeen-year-old model Lesley Hornby, who was named ‘The Face of 1966’ and also ‘Woman of the Year’. Her undeveloped stick-like figure was ideally suited to the new mini skirt fashions designed by Mary Quant. The new dresses for girls remained as short as in previous decades, but far less detailed and less fitted. There was also the disposable dress made from non-woven material, later withdrawn because of concern for flamm-ability, and the very popular crochet dress worn over a matching petticoat. However, these dress innovations coexisted with the more traditional dresses with full skirts and fitted bodices. Trousers, in the form of slacks or stretch ski pants became very fashionable, but were strongly forbidden for formal occasions. Boys’ fashions in the 1960s were heavily influenced by the style of the British-based mod music and the Beatles. Denim fashions continued to be very popular and were made available in a variety of colours and styles.
A phenomenon of the 1970s was the entry of established clothes designers into the children’s market. By the mid-1970s, fashions for girls and women had left behind the youthful and modern styles of the 1960s and had been replaced by fantasy and nostalgia-inspired designs, Also, denim fashions, influenced by old Hollywood Westerns and musicals, became very popular; examples include cowgirl skirts and checked shirts. There was also an abundance of flower-printed dresses and the revival of the sailor suit. Sportswear, previously confined to athletic meetings, began to appear in the high street and in discos. American films such as Saturday Night Fever (1977) also made an enormous impact. Furthermore, the marketing of clothes aimed at 186 fashion, children’s children developed sophisti-cated advertising strategies. Magazines aimed at pre-pubescent girls included countless fashion and beauty advice pages, training the young girl to be an active consumer. In the 1980s the divide between the fashions of youths and adults disappeared, and very similar styles were worn by both groups. In the 1990s, in sharp contrast to the 1960s, children became even more fashion conscious than their parents. Products aimed at children and teenagers occupied an increasingly large place in national and family economics. In 1997, the advertising agency Saatchi and Saatchi carried out a research project to determine the extent to which British children under fifteen influenced family spending. It was discovered that a staggering £31 billion was spent to satisfy the needs of this most demanding consumer group. Close to £2 billion was directly devoted to clothes. Generally speaking, the parents of the late 1990s had very little say in what clothes their children should wear.

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